M+ Museum
M+ Museum
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Current Exhibitions:
Guo Pei: Fashioning Imagination
郭培：藝想天開
Guo Pei (b. 1967), China’s leading couture artist, combines Chinese cultural heritage with international elements and artistic expression. Guo’s astonishing runway collections have impressed fashion and art audiences alike for almost 30 years. Presenting the first major exhibition of Guo’s work produced in China, M+ will showcase Guo’s key collections and early designs, highlighting her unique career connecting China and the rest of the world and the cultural symbols created through her sophisticated and visually dazzling practice. Working with the couturier and her studio, the exhibition presents a selection of garments shown to audiences in the region for the first time, creating a layered dialogue with the M+ Collections around visual imagination and workmanship. The exhibition foregrounds Guo Pei's unique artistic style that resonates with imperial Chinese dress etiquette, European royal fashion, architecture, and the botanical world.
Henry Steiner: The Art of Graphic Communication
15 Jun 2024 - 10 Nov 2024
Presented as part of the Pao-Watari Exhibition Series, Henry Steiner: The Art of Graphic Communication features the work of the father of graphic design in Hong Kong. The exhibition celebrates Henry Steiner's (b. 1934) influential graphic language with a selection of some of his most iconic projects tracing the city’s development from the 1960s onwards.
Born in Austria in 1934, Henry Steiner immigrated to the United States where he trained at Yale University under the renowned American graphic designer Paul Rand, learning the art of storytelling through images. After moving to Hong Kong in 1961, he found the city vibrant with a complex culture, a place on the cusp of transformation into an international centre for manufacturing, trade, finance, leisure, and tourism. As he applied his training in the principles of concept and contrast, Steiner pioneered a new form of graphic communication that gives equal weight to juxtaposing multiple cultural elements. Often playful, unexpected, and intriguing, Steiner’s methodology enables his designs to reach broad and diverse audiences.
Organised into two sections, this exhibition will first trace Steiner’s early years and influences that underpin his distinctive style. It will then take visitors through Steiner’s definitive designs, from large infrastructural and industry projects that marked the development of the city to those reflecting Hong Kong’s growth as a destination for travel and leisure. By showing Steiner’s practice through Hong Kong’s flourishing decades, the exhibition elaborates the significance of graphic design in Hong Kong’s distinctive visual culture.
i.M.Pei: Life Is Architecture 貝聿銘：人生如建築：
29 Jun 2024 - 5 Jan 2025
The first full-scale retrospective of Ieoh Ming Pei (1917–2019), I. M. Pei: Life Is Architecture properly appraises for the first time the work of one of the greatest architects of the twentieth and twenty-first centuries. Pei’s high-profile projects were realised over seven decades with an exceptionally wide geographic reach, including the National Gallery of Art East Building in Washington, D.C., modernisation of the Grand Louvre in Paris, Bank of China Tower in Hong Kong, and Museum of Islamic Art in Doha. These iconic landmarks solidified Pei’s position in architectural history and popular culture. His life and work weave together a tapestry of power dynamics, geopolitical complexities, cultural traditions, and the character of cities around the world, and his transcultural vision laid a foundation for the contemporary world.
The exhibition takes an expanded and closer look at Pei’s practice through six themes representing areas of focus and approaches throughout his career: ‘Pei’s Cross-Cultural Foundations’, ‘Real Estate and Urban Redevelopment’, ‘Art and Civic Form’, ‘Power, Politics, and Patronage’, ‘Material and Structural Innovation’, and ‘Reinterpreting History through Design’. The themes place Pei’s practice in close dialogue with social, cultural, and biographical trajectories that show architecture and life to be inseparable. The exhibition features a rich selection of drawings, sketches, videos, models, photographs, and other archival documentation, many of which will be on view for the first time. To lend a contemporary lens to Pei’s work, the exhibition presents newly commissioned photographs of Pei’s buildings by a new generation of photographers: South Ho, Naho Kubota, Lee Kuo-min, Giovanna Silva, Mohamed Somji, Tian Fangfang, and Yoneda Tomoko. Architectural models of Pei’s built and unbuilt projects are also made in collaboration with architecture schools at The University of Hong Kong and The Chinese University of Hong Kong.
The M+ building in the West Kowloon Cultural District is one of the largest museums of modern and contemporary visual culture in the world. Located at the southernmost edge of Kowloon overlooking Victoria Harbour, it is among Hong Kong’s most iconic landmarks, both monumental in its architectural form and radically open in its position in the urban landscape.
Designed by Herzog & de Meuron in partnership with TFP Farrells and Arup, the building is composed of a podium and a slender tower that fuse into the shape of an upside-down ‘T’. The expansive podium cantilevers above ground and includes 17,000 square metres of exhibition space across thirty-three galleries, three cinema houses, the Mediatheque, Learning Hub, and Roof Garden that faces Victoria Harbour. The tower houses the museum’s Research Centre, offices, restaurants, and the M+ Lounge on level 11. The M+ Facade, facing the harbour, is embedded with LEDs for screening moving image works, which can be seen from the West Kowloon waterfront promenade and Hong Kong Island. Visitors can enter the museum from various points on the ground and lower floors, creating a highly accessible space that offers a continuity between indoor and outdoor areas.
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